Distortions of Renaissance Pragmatism
The world must be peopled,
Says Benedick (to himself)
Before Beatrice enters
(Act II, Scene iii).
And so I do -- without much
ado. Except, I don't
people it with people,
really. A friend called it
Slavic animism once
(it was the summer of
bare feet, long words
and short nights).
What it is, actually,
is an exercise in
exploding loneliness
into a population of animas,
protective and personalized,
sending signals and
reasserting the rightness
of this moment in this
your life, reflecting
your defragmented
you, showing it
in the light.
A comforting mirage
of external meaning
revealed in the
quotidian to the observant --
this is certainly
not what Benedick
had in mind when he
set to people the world
with Beatrice. Too
metaphysical, that.
And, ultimately,
profoundly lonely.
Says Benedick (to himself)
Before Beatrice enters
(Act II, Scene iii).
And so I do -- without much
ado. Except, I don't
people it with people,
really. A friend called it
Slavic animism once
(it was the summer of
bare feet, long words
and short nights).
What it is, actually,
is an exercise in
exploding loneliness
into a population of animas,
protective and personalized,
sending signals and
reasserting the rightness
of this moment in this
your life, reflecting
your defragmented
you, showing it
in the light.
A comforting mirage
of external meaning
revealed in the
quotidian to the observant --
this is certainly
not what Benedick
had in mind when he
set to people the world
with Beatrice. Too
metaphysical, that.
And, ultimately,
profoundly lonely.
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